Knocking ‘Round the Zoo


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Song Origin

Inspired by JT’s time at McLean Hospital in Massachusetts where he was treated for depression.

Trivia

Re-recorded for JT’s 1968 “James Taylor” album.

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"Knocking 'Round the Zoo" is a song written by James Taylor that was originally released on his 1968 debut album on Apple Records. He had previously recorded the song in 1966 with his band the Flying Machine, but that recording was not released until 1971 on James Taylor and the Original Flying Machine. It was also released by Apple as a single in France (APF 506), backed with "Something's Wrong." "Knocking 'Round the Zoo" and "Something in the Way She Moves" were included on the demo tape that Taylor sent producer Peter Asher that convinced him to sign Taylor to Apple.[1]

Allmusic critic Lindsay Planer describes "Knocking 'Round the Zoo" as a "pseudo-blues."[2] The lyrics were inspired by Taylor's stay at the psychiatric facility McLean Hospital.[3][4] In the first verse of the song, Taylor sings that "There's bars on all the windows and they're countin' up the spoons."[5] In actuality, McLean had 2000 pound security screens on the windows rather than bars, but they did use special utensils and count all the metal after each meal.[5][6] The verse goes on to state that "if I'm feeling edgy there's a chick who's paid to be my slave/And she'll hit me with a needle if she thinks I'm trying to misbehave."[7] In the second verse, Taylor further sings of his anger towards the workers at McLean.[5] In the third verse, Taylor sings of how he felt ostracized at McLean with lines such as "Now my friends all come to see me/They point at me and stare."[3][8] According to the editors of Time, "Taylor adds a chilling descant of bedlamite sounds" to this verse.[8] Rolling Stone critic Timothy Crouse describes the song's drum beat as "sinister" and its guitar playing as "nervous," stating that this reflects the "anger and impatience" Taylor felt at McLean.[5]

Rolling Stone Album Guide critic Mark Coleman considers "Knocking 'Round the Zoo" a "highlight" of James Taylor, describing it as "kicky" and saying that it predicted the path Taylor would take in future recordings.[9] Time praises its "witty, riffy musical irony."[8] Rolling Stone critic Jon Landau says that it "combines a subdued sense of humor with more naturalism."[6] Taylor biographer Timothy White criticizes the "ponderous" prelude on string instruments that arranger Richard Hewson prepended to the song on the James Taylor album.[4] Rolling Stone writer Jules Siegel criticized the song for sounding like "a sado-masochistic fantasy."[10] Siegel suggested that Taylor was making himself out to be an aristocrat and still in control despite being in a mental hospital, with "a female attendant paid to be his slave."[10] Siegel also criticizes the line about the attendant hitting him with a needle.[10] Author Ian Halperin criticizes the compact disc release of James Taylor and the Original Flying Machine for revising the instrumentation.[3]

References

  1. ^ Browne, D. (2012). Fire and Rain: The Beatles, Simon and Garfunkel, James Taylor, CSNY, and the Bittersweet Story Of 1970. Da Capo Press. ISBN 9780306822131.
  2. ^ Planer, L. "James Taylor". Allmusic. Retrieved 2014-07-03.
  3. ^ a b c Halperin, I. (2003). Fire and Rain. Citadel Press. pp. 48–49, 126. ISBN 0806523484.
  4. ^ a b White, T. (2009). Long Ago And Far Away: James Taylor - His Life And Music. Omnibus Press. pp. 118, 229, 138. ISBN 9780857120069.
  5. ^ a b c d Crouse, T. (February 18, 1971). "The First Family of the New Rock". Rolling Stone. pp. 34–37.
  6. ^ a b Landau, J. (April 19, 1969). "James Taylor". Rolling Stone. Retrieved 2014-07-03.
  7. ^ McCarthy Bartlett, M. (2011). Loving the Tasmanian Devil: Reflections on Marriage and Asperger Syndrome. AAPC Publishing. pp. 293–294. ISBN 9781934575819.
  8. ^ a b c "James Taylor: One Man's Family of Rock". Time. March 1, 1971. pp. 45–53.
  9. ^ Coleman, M. (1992). DeCurtis, A.; Henke, J.; George-Warren, H. (eds.). The Rolling Stone Album Guide (3rd ed.). Straight Arrow Publishers. p. 293. ISBN 0679737294.
  10. ^ a b c Thompson, D. (2012). Hearts of Darkness: James Taylor, Jackson Browne, Cat Stevens, and the Unlikely Rise of the Singer-Songwriter. Backbeat Books. ISBN 9781458471390.